Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 19, Prelude in E♭ major
These bars underwent numerous corrections in A. In b. 43 Chopin changed single notes – he moved the 2nd and 5th R.H. quavers a minor third higher (c2→e
2 and c2→d2) as well as the 3rd, 6th and 9th L.H. quavers (e→g, f→a and g→b).
In b. 44 the 2nd and 5th R.H. quavers were also changed (a1→c2 and a1→b1), whereas the L.H. part and the 3rd R.H. triplet were completely crossed out after individual corrections and rewritten on adjacent staves. The below reconstruction shows a likely interpretation of the crossed-out version. The small noteheads in brackets indicate the notes that were effaced before the decision to rewrite the whole. The illustration is supplemented by the first 2 R.H. triplets that were not rewritten as a whole, with individual corrections marked in a similar manner: 
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Accompaniment changes
notation: Pitch
