Issues : Errors in GE
b. 2
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
The engraver of GE1 did not notice (considered it a mistake?) that the first two notes of the last triplet do not constitute the interval of an octave, unlike in the previous ones. The mistake was corrected in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
||||||
b. 5
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
The 3rd quaver in GE1 is a c2 (with a ). At this pitch, a natural does not cancel anything; in turn, it deprives the 6th and 9th semiquavers of necessary alterations, which points to a Terzverschreibung mistake, irrespective of the compliant version of the remaining sources. The error was corrected in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
||||||
b. 21
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
The 5th R.H. quaver in GE1 is an erroneous a1 instead of f1. The mistake was rectified in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
||||||
b. 24
|
composition: Op. 28 No. 19, Prelude in E♭ major category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
||||||
b. 52
|
composition: Op. 28 No. 19, Prelude in E♭ major
..
Adjusting hairpins to the width of a bar is a routine revision of FE (→EE), like in previous bars. The change of direction of the mark is a mistake of the engraver of GE, often encountered in first editions of works by Chopin. category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , Errors in GE , Sign reversal |