Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
Main text
Main text
A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 12

Chord with fingering in A (→FE,FCGE)

Chord with fingering suggested by the editors

Chord without fingering in EE & CGS

Simplified chord in FES

The version entered – most probably by Chopin – into FES may be considered an acceptable variant, facilitating the performance (Chopin did not cross out the fingering, but it is clear that it does not apply to this version). In GE the R.H. chord was written in a complicated, obscure manner (reproduced only in the graphical transcription – version "transcription"), not resulting from the notation of A (→FC), i.e. the a1-c2 third was provided with a separate stem and placed before the other elements of the chord. In the main text we mark the Chopinesque fingering, indicating a simultaneous performance of the R.H. a1-c2 third with the 1st finger, in a manner compliant with the one that was adopted in the National Edition for two keys being pressed with one finger. Chopin used such a measure for a minor third on black keys on a few occasions – cf. the Concerto in E Minor, Op. 11, II mov., b. 16, Concerto in F Minor, Op. 21, II mov., b. 77 and most probably also the Scherzo in C Minor, Op. 39, b. 6-8 and 14-16.   

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies, Inaccuracies in GE, Annotations in FES

notation: Pitch

Missing markers on sources: CGS, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, CXI, EE1a