mUltimate Chopin

Op. 28 No. 7, Prelude in A major

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Page: 
Source: 
p. 1, b. 1-16
p. 1, b. 1-16
Main text
Main text
A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
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Pedalling
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Ornaments
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No differences
A - Autograph
FC - Fontana's copy
CXI - Copy of earlier version
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 7-13

Ties in GE2 (→GE3)

No ties in remaining sources

The ties of c1 in b. 7 and of b1 in b. 13 must be revisions of GE2 (→GE3), inspired by the authentic ties of d1 in b. 5 and of c2-e2 in b. 11. The revision can be considered incomplete – c2 was overlooked in a similar context in b. 3.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm

Missing markers on sources: CGS, A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, CXI, EE1a
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