mUltimate Chopin

Op. 28 No. 7, Prelude in A major

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Rhythm

b. 5-15

composition: Op. 28 No. 7, Prelude in A major

..

There is not a single tie in CGS (b. 5-6, 8-9, 11, 15-16), which almost certainly results from an oversight.

category imprint: Differences between sources

issues: Errors in CGS

b. 7-13

composition: Op. 28 No. 7, Prelude in A major

Ties in GE2 (→GE3)

No ties in remaining sources
..

The ties of c1 in b. 7 and of b1 in b. 13 must be revisions of GE2 (→GE3), inspired by the authentic ties of d1 in b. 5 and of c2-e2 in b. 11. The revision can be considered incomplete – c2 was overlooked in a similar context in b. 3.

category imprint: Differences between sources

issues: GE revisions

b. 15-16

composition: Op. 28 No. 7, Prelude in A major

Minims a1 tied in A (→FE,FC→GE) & EE2

Repeated minim in EE1 & CGS
..

The missing tie of the a1 minim is a mistake both in EE1 and CGS. The error of EE1 was corrected in EE2 on the basis of the Stichvorlage (FE2) or GE1.

category imprint: Differences between sources

issues: EE revisions , Errors in EE , Errors in CGS

b. 15

composition: Op. 28 No. 7, Prelude in A major

Grace note tied in A (→FC→GE, →FE→EE)

Grace note not tied in CXI & CGS
..

The missing tie of the grace note is most probably a mistake of both CXI and CGS.

category imprint: Differences between sources

issues: Inaccuracies in CGS