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Issues : EE revisions
b. 5-6
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composition: Op. 28 No. 7, Prelude in A major
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The placement of the category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 11
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composition: Op. 28 No. 7, Prelude in A major
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In A (→FE,FC→GE1) there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Errors of A , Annotations in FES , Annotations in FESch , Errors repeated in GE , Errors repeated in FE |
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b. 13
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composition: Op. 28 No. 7, Prelude in A major
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In A (→FE) and CGS there is no accidental before the bottom note of the last R.H. crotchet. Therefore, it should be interpreted as an a category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors of A , Annotations in FES , Fontana's revisions , Errors repeated in FE |
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b. 15
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composition: Op. 28 No. 7, Prelude in A major
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The version of FC (→GE) is most probably a mistake of Fontana. Although the shorter stem of the 3rd crotchet suggests that the additional e was added, it could not have been done by Chopin, who did not proofread FC. That version was introduced – under the influence of GE1 – also in EE2. category imprint: Differences between sources issues: EE revisions , Errors of FC |
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b. 15-16
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composition: Op. 28 No. 7, Prelude in A major
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The missing tie of the a1 minim is a mistake both in EE1 and CGS. The error of EE1 was corrected in EE2 on the basis of the Stichvorlage (FE2) or GE1. category imprint: Differences between sources issues: EE revisions , Errors in EE , Errors in CGS |