Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 7, Prelude in A major
CXI includes only one phrase mark, in b. 13-16. As the source of the text of that manuscript remains unknown, it is difficult to say whether it was carelessness of the copyist or whether the phrase marks were absent already in the copied source. The former seems more likely, since the copyist was gradually including more and more elements of notation – apart from the aforementioned phrase mark, the second line of CXI contains, e.g. all necessary 
asterisks, the majority of which were overlooked in the first line. We discuss the phrase marks in b. 4-8 separately.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Slurs
