Page: 
Source: 
p. 1, b. 1-21
p. 1, b. 1-21
p. 2, b. 22-43
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AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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AI - Presentation autograph
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE3 - Revised impression of EE1
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  b. 3-8

AI and A (→GE1FEEE)

Additional "voice" in GE2

In bars 3-4 & 7-8 in GE2 the crotchets e and A were notated as if each of them belonged to two parts. This kind of pedant revision, justified in an orchestral score, is a needless complication in piano music performed by one person. A similar situation occurs in bars 25-28 & 31-32.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm