Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
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Op. 24 No. 3, Mazurka in A♭ major
Page:
Source:
EE1 - First English edition
Main text
AI
- Presentation autograph
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
FE
- French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI
- Presentation autograph
A
- Autograph
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
FE
- French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE3 - Revised impression of EE1
Importance
All
Important
Main
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In A (→GE→FE→EE) Chopin decided to remove the on the first beat of bar 30. A similar situation occurs in bar 34, and also in bars 6 and 10, the repetition of which constitutes bars 30 and 34 in AI.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Chopin's hesitations
notation: Pitch