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Issues : Long accents
b. 1-7
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI has no accents for g1 in bars 1, 3 & 7 (a similar situation appears in bar 25, 27 & 31). The discussed bars are among few places in which Chopin's long accents are reproduced quite precisely in GE (→FE→EE). category imprint: Differences between sources issues: Long accents |
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b. 2
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A (→GE→FE→EE) has a category imprint: Differences between sources; Editorial revisions issues: Long accents |
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b. 5-9
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Chopin replaced the category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , Placement of markings |
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b. 25-31
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The interpretation of the marks at the beginning of bars 25, 27 and 31 as long accents is supported by the analogy with bars 1, 3 and 7, in which Chopin in A wrote the accents in a more precise manner than he did in bars 25, 27 and 31. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , GE revisions |
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b. 26
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The mark in A should clearly be read as a long accent and this is precisely its shape in GE1 (→FE). In EE, the mark was shortened to an ordinary short accent, while in GE2 it was extended to the end of the bar. AI has got no mark here, just like in bar 2. category imprint: Differences between sources; Corrections & alterations issues: Long accents , GE revisions , EE inaccuracies |