![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in GE
b. 17-20
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
AI and A present here two distinctly different concepts of slurring. Slurs in AI show short, hemiola-like motifs; the beginning of the slur in bar 17 admits two interpretations. In A (→GE→FE→EE) Chopin continues two-bar slurs embracing a repeated rhythmic pattern. In bar 20 GE (→FE→EE) mistakenly brings the slur only to the 2nd quaver. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in GE |
|||||||||||
b. 25-31
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
The interpretation of the marks at the beginning of bars 25, 27 and 31 as long accents is supported by the analogy with bars 1, 3 and 7, in which Chopin in A wrote the accents in a more precise manner than he did in bars 25, 27 and 31. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , GE revisions |
|||||||||||
b. 26-35
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
In both AI (in bars 2 & 11) and A Chopin wrote category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
|||||||||||
b. 27-32
|
composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , EE inaccuracies , Unclear hairpins in A |
|||||||||||
b. 28-32
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
In bars 28 and 32 of A, the category imprint: Differences between sources issues: Inaccuracies in GE |