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b. 25-31
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The interpretation of the marks at the beginning of bars 25, 27 and 31 as long accents is supported by the analogy with bars 1, 3 and 7, in which Chopin in A wrote the accents in a more precise manner than he did in bars 25, 27 and 31. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , GE revisions |
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b. 25-32
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In bars 25-28 & 31-32 in GE2 the crotchets e category imprint: Differences between sources issues: GE revisions |
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b. 25
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composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources; Corrections & alterations |
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b. 26
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composition: Op. 24 No. 3, Mazurka in A♭ major
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In A (→GE→FE→EE) Chopin noted again a version with even quavers and a grace note. In AI the bar is marked as a repetition of bar 2 and like there has a different form. category imprint: Differences between sources; Corrections & alterations |
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b. 26
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composition: Op. 24 No. 3, Mazurka in A♭ major
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The mark in A should clearly be read as a long accent and this is precisely its shape in GE1 (→FE). In EE, the mark was shortened to an ordinary short accent, while in GE2 it was extended to the end of the bar. AI has got no mark here, just like in bar 2. category imprint: Differences between sources; Corrections & alterations issues: Long accents , GE revisions , EE inaccuracies |
in 
and A
