Issues : Corrections in A
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b. 1-6
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composition: Op. 28 No. 18, Prelude in F minor
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In A we can see that the pairs of chords in b. 1-2 and 5-6 were initially provided with staccato dots and not slurs. In b. 1 the dots were deleted and replaced with a slur; in the remaining ones, Chopin wrote the slurs in a way so as to cover the dots. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 1
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composition: Op. 28 No. 18, Prelude in F minor
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In A we can see the initial tempo indication having been deleted – Presto con fuoco. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Changes of tempo markings |
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b. 5-7
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composition: Op. 28 No. 18, Prelude in F minor
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In A one can see that in b. 5 Chopin initially wanted to lead the L.H. semiquaver sequence to the middle of the bar. He also introduced a similar change into b. 7, in which he started writing L.H. semiquavers from the beginning of the bar. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 9
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composition: Op. 28 No. 18, Prelude in F minor
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An additional note in the 3rd L.H. quaver was deleted in A – F or G (less probable). category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 12
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composition: Op. 28 No. 18, Prelude in F minor
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Chopin initially wrote here the same pedal markings as in the 3 previous bars; eventually, however, he moved the category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
mark to the end of the bar.