Issues : FE revisions
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b. 15
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composition: Op. 28 No. 18, Prelude in F minor
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In A there is no before the top note of the L.H. chord on the 4th beat of the bar. The patent inaccuracy was already corrected in FC (→GE) and FE (→EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 17
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composition: Op. 28 No. 18, Prelude in F minor
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In the main text we reproduce the very precise performance marks for the chord on the 2nd beat of the bar in A: long accents over f4 and the L.H. chord and a staccato dot under f3. The R.H. marks were overlooked both in FC (→GE) and FE1, which is justified to a certain extent, since both marks are poorly visible. The L.H. accent (short) was placed in FE under the chord, as a result of which the R.H. octave is not accented at all. FE2 tried to amend it by adding a long accent under it. Introduction of a vertical accent in EE is an arbitrary decision typical of that publisher – cf. the previous bar. category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE , Inaccuracies in GE , Placement of markings , FE revisions , Errors of FC |
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b. 17
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composition: Op. 28 No. 18, Prelude in F minor
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In A there is no before the bottom note of the L.H. octave. As at the end of b. 15, this patent inaccuracy of Chopin was already corrected in FC (→GE) and FE (→EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A |
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