Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 18, Prelude in F minor
Formally speaking, the version of GE is justified here; however, it is highly likely that Chopin wrote this group in semiquavers (like all the others) because he did not want to unnecessarily suggest a significant acceleration of movement. Such a notation is to be found in his pieces on a number of occasions – cf., e.g. the Prelude in D
major no. 15, b. 4 and 79.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Rhythm
