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Source:
p. 1, b. 1-26
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In A, due to numerous corrections/crossings-out, the final version of the R.H. part is written in these bars on an adjacent stave, where one can also observe crossings-out. The majority of the crossed-out notation can be read; particularly, one can state that none of the corrections concerned the top voice, and in many places one of the crossed-out versions was identical to the ultimate one. It proves Chopin's hesitation.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A, Accompaniment changes
notation: Pitch
Missing markers on sources:
CGS, A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a