A
Main text
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 16-17

In A, due to numerous corrections/crossings-out, the final version of the R.H. part is written in these bars on an adjacent stave, where one can also observe crossings-out. The majority of the crossed-out notation can be read; particularly, one can state that none of the corrections concerned the top voice, and in many places one of the crossed-out versions was identical to the ultimate one. It proves Chopin's hesitation.

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category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A, Deletions in A, Accompaniment changes

notation: Pitch

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