Page: 
Source: 
p. 1, b. 1-26
p. 1, b. 1-26
GE1 - First German edition
Main text
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF GE1 - First German edition


  b. 13

No indications in A (→FCGE, →FEEE) & CGS

in FEJ

 &  in FES

( & ) – our variant suggestion

Both versions of the dynamic indications written in the teaching copies point to the use of the echo effect. In the main text we give the indications of FES, in which the idea of contrast is expressed in a clearer form.

Learn more »

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FES, Annotations in FEJ

notation: Verbal indications

Missing markers on sources: CGS, A, FC, EE1, EE2, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1a