Issues : Errors of FC
b. 8
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composition: Op. 28 No. 6, Prelude in B minor category imprint: Differences between sources issues: Errors of FC |
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b. 19
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composition: Op. 28 No. 6, Prelude in B minor
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We give c1-f1 as the 2nd crotchet of the bottom voice, after A. The version of the remaining sources, c1-g1, is probably a mistake – both of the copyist and the engraver of FE – which could have been provoked by two factors:
The fact that Chopin meant here a f1 is also supported by a stylistic argument – in analog. b. 15, featuring a B minor chord on the 3rd beat (like the discussed bar and unlike similar b. 16 and 20), a f1 was used. On the other hand, the absence of corrections in the teaching copies suggests that Chopin accepted the version with g1 during lessons, which can thus be considered an acceptable variant. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate note pitch in A , Errors of FC |
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b. 23-26
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composition: Op. 28 No. 6, Prelude in B minor
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The missing mark in FC (→GE) is almost certainly a result of an oversight of the copyist. The omission of the mark in CGS is most probably of a similar nature. The addition of the mark in b. 26 must be a revision of EE, quite frequent in Chopinesque first editions – cf., e.g. the Prelude in C Major, No. 1. category imprint: Differences between sources issues: EE revisions , No pedal release mark , Errors of FC |
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b. 25-26
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composition: Op. 28 No. 6, Prelude in B minor
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The missing slur is one of a few oversights of Fontana in this Prelude – cf. b. 8 and 22. category imprint: Differences between sources issues: Errors of FC |