mUltimate Chopin

Op. 28 No. 1, Prelude in C major

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Page: 
Source: 
p. 1, b. 1-34
p. 1, b. 1-34
Main text
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewiczowa's Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewiczowa's Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 34

No  in A (→FC,FE)

in GE & EE

In the main text we keep the pedalling notation without the final  mark, quite frequent in Chopin's pieces (cf., e.g. the Nocturne in D Major, Op. 27 No. 2, b. 74-77). The marks added in GE and EE cannot be authentic. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, GE revisions

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FEJ, FED, FES, FESch, GE1, GE2, GE3, EE1a, EE2, EE1
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