FE1
Main text
A - Autograph
FC - Fontana's copy
CGS - Copy by George Sand
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 1-2

fingering written into FEJ

Fingering written into FES

No teaching fingering in A (→FE,FCGE)

Fingering in EE

Our variant suggestion based on FEJ & FES

The fingering of the entire phrase comes from FEJ, and the only alternative entry in b. 1 – from FES. That fingering differentiation in those copies is most probably preserved also in identical b. 9. Anyway, it is very likely that the difference concerns only the d1 crotchet and the cquaver. We assume that both possibilities come from Chopin, even if they were not written by his hand. In turn, there are no grounds to consider the fingering of EE to be authentic, which we place over notes for the purpose of clarity.

Compare the passage in the sources »

See b. 1

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies, EE revisions, Differences in fingering, Annotations in FES, Annotations in FEJ

notation: Fingering

Go to the music

Original in: Bibliothèque Nationale de France, Paris