Initially, Chopin marked the two-quaver motifs with an accent and a slur – as he did in b. 1 – also in b. 2-6, 11-16 and 18. All those markings were then crossed out – after the three accent/slur combinations in b. 1, Chopin left only one more at the end of b. 22, which, actually, gave it a special meaning.
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category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Deletions in A
notation: Articulation, Accents, Hairpins