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Issues : Deletions in A
b. 1
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A one can see that Chopin initially wrote category imprint: Corrections & alterations; Source & stylistic information issues: Changes of metre , Corrections in A , Chopin's hesitations , Deletions in A |
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b. 19-23
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A one can see in these bars crossings-out of dynamic hairpins – category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 19
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composition: Op. 28 No. 17, Prelude in A♭ major
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In the version prepared for print, the top note of the chord on the 5th quaver in the bar, interpreted literally, is an f1, since it is not accompanied by a relevant accidental in this bar. The following arguments prove that it was almost certainly Chopin's mistake:
category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Omission of current key accidentals , Errors of A , Deletions in A |
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b. 20
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A one can see that Chopin initially wrote here a longer, whole-bar pedal. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 24-25
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composition: Op. 28 No. 17, Prelude in A♭ major
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The version of A – without category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: Deletions in A , FE revisions , Fontana's revisions |