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Issues : Errors of A
b. 19
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composition: Op. 28 No. 17, Prelude in A♭ major
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In the version prepared for print, the top note of the chord on the 5th quaver in the bar, interpreted literally, is an f1, since it is not accompanied by a relevant accidental in this bar. The following arguments prove that it was almost certainly Chopin's mistake:
category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Omission of current key accidentals , Errors of A , Deletions in A |
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b. 38
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A (→FE) the top R.H. voice crotchets are devoid of dots. It must be Chopin's oversight – cf. analogous b. 6 and 14. Dots are in FCI as well as in FC (→GE) and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE |
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b. 65
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composition: Op. 28 No. 17, Prelude in A♭ major
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The missing "I remember once when I was playing the 17th Prelude of Chopin, Madame Dubois said that Chopin himself used to play that bass note [A Fontana, who knew the Prelude from a still earlier version, apparently memorized that effect, since he added * I. J. Paderewski, Mary Lawton, The Paderewski Memoirs, London 1939, p. 154. category imprint: Differences between sources issues: Errors of A , Fontana's revisions |