![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Deletions in A
- « Previous
- 1
- 2
- 3
- Next »
b. 24-25
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
The category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
|||||
b. 37
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
The crossing-out of the D category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Bass register changes , Last key signature sign |
|||||
b. 39
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In A the e category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
|||||
b. 43
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
In A one can see that Chopin initially wrote the mordent with a conventional In this place, FCI includes an earlier version – there are no ornaments on the 4th quaver in the bar, while b1 is linked with a tie to the dotted crotchet at the beginning of the bar. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Errors in FE , Corrections in A , Errors resulting from corrections , Deletions in A , Annotations in FES , Main-line changes , Inaccuracies in A |
|||||
b. 44
|
composition: Op. 28 No. 17, Prelude in A♭ major
..
The b notes were initially repeated on the 5th and 6th quavers, which is proven by them having been crossed out (it can be seen in A). category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
- « Previous
- 1
- 2
- 3
- Next »