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Issues : EE revisions
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b. 26
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composition: Op. 28 No. 17, Prelude in A♭ major
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On the last quaver in A (→FC→GE1) there are no accidentals before the middle notes of the chords in both hands – a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE |
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b. 26
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composition: Op. 28 No. 17, Prelude in A♭ major
..
EE1 omitted a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 26
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composition: Op. 28 No. 17, Prelude in A♭ major category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 33
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A (→FE) there are only 3 flats before the 1st chord – e category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Cautionary accidentals , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 38
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composition: Op. 28 No. 17, Prelude in A♭ major
..
In A (→FE) the top R.H. voice crotchets are devoid of dots. It must be Chopin's oversight – cf. analogous b. 6 and 14. Dots are in FCI as well as in FC (→GE) and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE |
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