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Issues : Fontana's revisions
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b. 51-54
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composition: Op. 28 No. 17, Prelude in A♭ major
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In b. 51 and 53-54, A and all the remaining sources include various inaccuracies concerning accidentals – oversights but also dispensable repetitions of accidentals. The greatest number of inaccuracies is to be found in FCI (6 naturals are missing), while EE is the only source that contains all necessary accidentals (and 4 unnecessary naturals). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , Fontana's revisions |
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b. 65
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composition: Op. 28 No. 17, Prelude in A♭ major
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The missing "I remember once when I was playing the 17th Prelude of Chopin, Madame Dubois said that Chopin himself used to play that bass note [A Fontana, who knew the Prelude from a still earlier version, apparently memorized that effect, since he added * I. J. Paderewski, Mary Lawton, The Paderewski Memoirs, London 1939, p. 154. category imprint: Differences between sources issues: Errors of A , Fontana's revisions |
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