Main text
Main text
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 51-54

In b. 51 and 53-54, A and all the remaining sources contain various inaccuracies concerning accidentals – oversights but also dispensable repetitions of accidentals. As the oversights are obvious, below you can find the overlooked accidentals we identified:

  • in b. 51 in A (→FEEE) the  before b in the 2nd half of the bar was unnecessarily repeated. The accidental is also in GE, although Fontana omitted it in FC;
  • in b. 53 all sources except FCI include an unjustified  before g1;
  • in b. 53-54 in A (→FC,FE) there are no naturals before a, while the  before a1 in the 2nd half of b. 53 was unnecessarily repeated. In GE both necessary accidentals were added, and the superfluous one was removed; however, the necessary  before d1 in b. 53 was removed too. EE supplemented the notation of FE so that each chord requiring accidentals is preceded by 3 naturals.

FCI reveals more oversights:

  • no accidentals before the L.H. chords in the 2nd half of b. 51;
  • no accidentals before the L.H. chords in the 1st half of the bar in b. 53; in turn, we can see 3 naturals before the 5th quaver;
  • no  before a in b. 54.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves, Cautionary accidentals, Fontana's revisions

notation: Pitch

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