Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
The long accent, present only in FCI, may be, according to us, considered a variant complementing the final editing of the Prelude's performance marks. When accented accordingly, the note can be heard despite the crescendo of the sequence of chords in the next bar, leading to 
in b. 55. Cf., e.g. long accents in b. 57, 59 and 61.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Articulation, Accents, Hairpins
