Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
In A (→FC→GE) the topmost notes of the L.H. part (d1 and higher) are written on the top stave, while in b. 19 the R.H. g notes are placed on the bottom stave:
(the accidentals and the order of the overlapping quavers in the right and left hands are presented according to A; in FC the before E was omitted, and GE supplemented accidentals and introduced some changes in the horizontal arrangement of chords). In FE (→EE) this seemingly illegible notation was simplified by placing the part of each of the hands on a separate stave, which we also adopted to the main text. According to us, the complexity of the original notation resulted in the double Terzverschreibung mistake in b. 21 in GE.
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category imprint: Editorial revisions; Source & stylistic information
issues: FE revisions
notation: Shorthand & other