Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
To write down these bars in A, Chopin used repeat marks – / to mark the L.H. part in the 2nd half of b. 1 and •/• in b. 2. In FC repeat marks were used only in b. 2. The highest number of repeat marks is to be found here in FCI – all those visible in A as well as / instead of the R.H. part in the 2nd half of b. 1.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: Abbreviated notation of A
notation: Shorthand & other
