A
Main text
FCI - Fontana's copy I
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 86-87

Crotchets in A (→FE,FCGE) & FCI

Dotted crotchets in EE

The version of EE was probably introduced to supplement the top voice rhythm, which Chopin would often ignore. Moreover, it contradicts the notation of A, in which there are no dots prolonging a1, and it is likely that they were being removed. The notation of FCI also excludes a possible mistake by Chopin – it simply features one-part notation: c1-a1 crotchets and b quavers. Consequently, had Chopin (while writing A) wanted to introduce an effect of the E chords mingling delicately with the held a1 notes, he would have made a change the essence of which would be adding dots, which makes them being accidentally overlooked almost impossible.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Rhythm

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