Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
As in the previous four-bar section, accidentals in A (→FC,FE) are written inaccurately. As the oversights are obvious, below you can find the overlooked accidentals we identified:
- in b. 47 there are no sharps before g
1 and c2; - in b. 48 there is no
before c2; - in b. 49 there are no sharps before g1 (in the L.H. and the R.H.) and before f1 (in FC a was added before g1 in the L.H.);
- in b. 50 there are no sharps before f, f1 and c2.
Moreover, in FC the 
before b in b. 47 was overlooked. Accidentals were added in GE and EE (except the before f1 in b. 49).
The notation of FCI overlaps with the notation of A only partially:
- in b. 47 there is no before c2 and probably c (illegible photograph);
- in b. 49 there are no sharps before g1 and f1 in the R.H.;
- in the 1st half of b. 50, 4 L.H. sharps are missing.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Accidentals in different octaves, GE revisions, Errors of FC, Fontana's revisions, Inaccuracies in A, Errors repeated in FE
notation: Pitch
