Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 17, Prelude in A♭ major
In FCI the first 2 R.H. quavers, apart from the d
1-g1 tritones, include c2 and b1 too. The first of them seems to be inaccurately written, hence it cannot be excluded that it should be interpreted as b1, which would be a counterpart of the melodic line in b. 10 and 65. It cannot be resolved on the basis of the photocopy available to us, hence we give c2, in accordance with the interpretation of that manuscript by other editors, e.g. Paul Badura-Skoda (Peters, E. P. 13178) or Jean-Jacques Eigeldinger, Peters, No. 7532).
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Main-line changes
notation: Pitch
