Page: 
Source: 
p. 3, b. 22-33
p. 1, b. 1-11
p. 2, b. 12-21
p. 3, b. 22-33
p. 4, b. 34-46
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Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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Articulation, Accents, Hairpins
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A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
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  b. 27

 on d in A, literal reading

 on A in A, probable interpretation (→FCGE, →FEEE)

The position of the  mark in the middle of the bar is confusing in A – it is placed between the A and the d quavers. According to us, it is more likely that Chopin meant A, as it was actually interpreted both in FC (→GE) and FE (→EE). It is supported by the resemblance to b. 26, in which  is clearly under the 4th quaver in the bar, and by the preceding  asterisk having been placed before the 4th quaver in spite of no harmonic change.

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category imprint: Graphic ambiguousness

issues: Inaccuracies in A

notation: Pedalling

Missing markers on sources: A, FC, FE1, FE2, FED, FEJ, FES, FESch, GE1, GE2, GE3, EE1, EE2, EE1a