Pedalling
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b. 1
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composition: Op. 28 No. 16, Prelude in B♭ minor
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Fontana overlooked the pedalling markings (as well as almost all performance indications in this bar). category imprint: Differences between sources issues: Errors of FC |
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b. 2-3
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A one can see crossed-out pedalling markings, according to which the pedal should be changed every half bar – 3 times category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 18-21
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composition: Op. 28 No. 16, Prelude in B♭ minor
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It cannot be ruled out that Chopin indeed envisioned the entire four-bar section being performed with one pedal, in spite of the harmonic change in b. 21. It would emphasize the unifying function of the ostinato, quartal mixture in the bass. On the other hand, it is that very constant bass motif that could have confused Chopin, who, while adding pedalling markings (in haste? – cf. the erroneous pedalling markings in the Prelude No. 19 in E category imprint: Differences between sources; Editorial revisions issues: Errors in GE , Errors of FC |
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b. 20-21
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composition: Op. 28 No. 16, Prelude in B♭ minor
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Proposed additions concerning the pedalling – see b. 18-21. category imprint: Editorial revisions |
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b. 22-23
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In FC (→GE) Fontana confused b. 22 with b. 23 and placed the category imprint: Differences between sources issues: Errors of FC |
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Major, b. 
