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Issues : Corrections in A
b. 2-3
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A one can see crossed-out pedalling markings, according to which the pedal should be changed every half bar – 3 times category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 8-11
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A one can see that Chopin would prolong certain L.H. slurs by adding to the slur the 4th quaver of three consecutive halves of bars, A, B category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 16-17
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The crossings-out visible in the L.H. part in A allow us to decipher the initial version of the ending of b. 16 and of entire b. 17, which is as follows: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
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b. 18-21
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composition: Op. 28 No. 16, Prelude in B♭ minor
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All bass octaves in b. 18-20 and the first in b. 21 were provided with staccato dots in A, which Chopin then crossed out and replaced with slurs. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A |
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b. 22-23
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composition: Op. 28 No. 16, Prelude in B♭ minor
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Before the 7th semiquaver in A there was initially a category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , FE revisions , Errors of FC |