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Issues : EE revisions
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b. 29
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC,FE) there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 30
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composition: Op. 28 No. 16, Prelude in B♭ minor
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There are 3 authentic cautionary flats (before d category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 32
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A the category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions |
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b. 33
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The four marks in A are typical long accents, which, however, were reproduced fairly accurately only in FE. The marks in FC are slightly longer, whereas in GE they were adjusted to the length of an entire semiquaver group. In EE, as it was performed in the preceding bar, the marks were considered accents and were doubled (there are separate accents for the right and the left hands). category imprint: Differences between sources issues: Long accents , EE revisions , GE revisions , Inaccuracies in FC |
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b. 41
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The digits of the Chopinesque fingering were overlooked in FE (→EE1). They were added in EE2 on the basis of a comparison with GE1. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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