A
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 32

 in A (literal reading→FE,FCGE)

2 short accents in EE

Long accent in A, contextual interpretation

In A the  mark practically reaches the last semiquaver in the bar and this is how it was reproduced in the majority of the remaining sources. According to us, in this context, Chopin could have meant only a long accent, as he clearly wrote 4 times in the next bar. EE considered – also probably on the basis of the marks in the following bar – that it should be an accent, which was given separately for the right and the left hands. See also the note in b. 33.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, EE revisions

notation: Articulation, Accents, Hairpins

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