Issues : Errors of FC
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b. 22-23
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composition: Op. 28 No. 16, Prelude in B♭ minor
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Before the 7th semiquaver in A there was initially a (cautionary due to B(1) in the L.H.), which Chopin turned to a . Fontana and the engraver of FE1 misinterpreted that correction by considering it a deletion of the accidental, hence FC (→GE) and FE1 does not contain any accidental before that note, which gives b1. When the figure is repeated an octave higher (at the beginning of b. 23) in FC (→GE), there is also no , which can be explained by an oversight (it would be a puzzling coincidence!) or by a revision, introduced in the belief that it is also here that the alleged crossing-out from b. 22 should be taken into account. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , FE revisions , Errors of FC |
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b. 29-30
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In the main text we give the two L.H. slurs beginning in the 2nd half of b. 29 after A. None of the remaining sources reproduced them faultlessly. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors of FC |
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b. 32
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composition: Op. 28 No. 16, Prelude in B♭ minor
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It is difficult to say what the reason was that the slur over the pair of the L.H. chords was overlooked both in FC (→GE) and FE (→EE). category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 40
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composition: Op. 28 No. 16, Prelude in B♭ minor
category imprint: Differences between sources issues: Errors in FE , Errors of FC |
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b. 40-41
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The overlooked mark in FC (→GE) is one of a few oversights of Fontana in the ending of the Prelude. category imprint: Differences between sources issues: Errors of FC |
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