Pitch
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b. 12-13
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In A (→FC,FE) there is no accidental before the 4th semiquaver in the 3rd group, which would result in f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in FE |
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b. 12-13
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In the main text we add cautionary flats before e category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 15
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In the main text we add cautionary flats before a category imprint: Editorial revisions |
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b. 16
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The notation of the chord on the 2nd quaver in the bar is ambiguous in FC – the c1 note, although most probably written by Fontana, is actually imperceptible and was not included in GE. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FC |
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b. 16-17
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composition: Op. 28 No. 16, Prelude in B♭ minor
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The crossings-out visible in the L.H. part in A allow us to decipher the initial version of the ending of b. 16 and of entire b. 17, which is as follows: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes |
2, which is impossible in this context. The oversight of a cancelled alteration, frequently encountered in Chopin's music, was corrected in 
. The accidentals were also added in 
.