Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 28 No. 4, Prelude in E minor
The accent in A has characteristic qualities of a long accent – it is quite narrow and goes beyond the next quaver. In spite of that, both FC (→GE) and FE (→EE) reproduced it as a short one. It is difficult to say for certain which accent George Sand had in mind in her copy – the mark, although longer than the accent in FE, is very similar to it.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Long accents
notation: Articulation, Accents, Hairpins
