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Issues : EE revisions
b. 4
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composition: Op. 28 No. 15, Prelude in D♭ major
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The change of quavers to semiquavers introduced by EE is right, as far as the rules of rhythmic notation are concerned. However, according to Chopin, the seemingly wrong original notation was most probably aimed at a calm, slightly slower performance of this figure. The same applies to b. 23. category imprint: Differences between sources issues: EE revisions |
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b. 7
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composition: Op. 28 No. 15, Prelude in D♭ major
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Following in the footsteps of the reviser of EE2, in the main text we suggest adding an additional crotchet stem next to a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 12
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of A (→FE,FC→GE1), without a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Errors of FC , Errors repeated in FE |
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b. 13
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composition: Op. 28 No. 15, Prelude in D♭ major
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We add cautionary naturals before f1 and f2 in the main text. The accidentals were also introduced in GE and EE2. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 17
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composition: Op. 28 No. 15, Prelude in D♭ major
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The 7th quaver in A (→FE→EE1) is a single f1 note. The e category imprint: Differences between sources issues: EE revisions , Errors of FC |