Issues : Inaccuracies in A
b. 84
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composition: Op. 28 No. 15, Prelude in D♭ major
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The placement of the indication is ambiguous in A – the mark is written close to the L.H. part (partially on the bottom stave), after the quaver rest at the beginning of the bar, hence it seems that it concerns the repeated a quavers. However, a more thorough analysis of the notation of A opens an alternative interpretive possibility – in relation to the R.H. part is written before the first chord, i.e. at the beginning of the bar. Moreover, the indication is preceded by a quite significant crossing-out (probably ), which makes it impossible to write more to the left. Taking into account the above, in the main text we put at the beginning of the bar as a general indication, concerning all voices. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information issues: EE revisions , Errors of FC , Inaccuracies in A |
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b. 86
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composition: Op. 28 No. 15, Prelude in D♭ major
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The interpretation of pedal markings in this bar presents difficulties. The sign occurs before the 2nd beat, and the sign seems to pertain to the 3rd beat, which we give as the literal reading. However, the slight distance between the signs does not suggest a gap in pedalling. The remaining sources interpreted this as a pedal change in the middle of the bar, which may be considered justified in the light of the above observations. In the editors' opinion, the pedal change should be linked rather with the d1 suspension being resolved to c1, and therefore, we suggest the appropriate notation in the main text. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccuracies in FC , Inaccuracies in A |