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The placement of the 
indication is ambiguous in A – the mark is written close to the L.H. part (partially on the bottom stave), after the quaver rest at the beginning of the bar, hence it seems that it concerns the repeated a
quavers. However, a more thorough analysis of the notation of A opens an alternative interpretive possibility – in relation to the R.H. part is written before the first chord, i.e. at the beginning of the bar. Moreover, the indication is preceded by a quite significant crossing-out (probably 
), which makes it impossible to write more to the left. Taking into account the above, in the main text we put at the beginning of the bar as a general indication, concerning all voices.
The missing indication in FC (→GE) must be an oversight of Fontana, who also overlooked a few dynamic markings in b. 83-87 (see the note in the previous bar). The indication was also overlooked in FE1, yet added in FE2, next to the 2nd quaver in the bar, most probably as a literal interpretation of A. Chopin did not question that version in any of the teaching copies, hence it can be considered an equal variant. Our solution was already introduced in EE, which seems to be a coincidence, since that edition most probably did not have access to A.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information
issues: EE revisions, Errors of FC, Inaccuracies in A
notation: Verbal indications