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Issues : Inaccuracies in FC
b. 17-18
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of FC (→GE) resulted from a mistake or imprecision of the notation of FC, in which b. 17 closes the line, and the phrase mark barely goes beyond the d category imprint: Differences between sources issues: Inaccuracies in FC |
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b. 63-64
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composition: Op. 28 No. 15, Prelude in D♭ major
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The continuous slur possibly results from conviction by both Fontana in FC (→GE) and the engraver of FE (→EE) that the cause of slurs in A being separated is just another pause in the ink feed to the tip of the quill, as in b. 61-62 (as well as 66). In the editors' opinion the shape of the slurs rather indicates that they are intentionally separate. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccuracies in FC |
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b. 76
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composition: Op. 28 No. 15, Prelude in D♭ major
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The distinct dots prolonging the d category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Inaccuracies in FC |
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b. 80
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composition: Op. 28 No. 15, Prelude in D♭ major
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Similarly to b. 76, both FC (→GE) and FE (→EE1) omitted the dots prolonging the d category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Inaccuracies in FC |
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b. 86
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composition: Op. 28 No. 15, Prelude in D♭ major
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The interpretation of pedal markings in this bar presents difficulties. The category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccuracies in FC , Inaccuracies in A |