Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 28 No. 15, Prelude in D♭ major
The continuous slur possibly results from conviction by both Fontana in FC (→GE) and the engraver of FE (→EE) that the cause of slurs in A being separated is just another pause in the ink feed to the tip of the quill, as in b. 61-62 (as well as 66). In the editors' opinion the shape of the slurs rather indicates that they are intentionally separate.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Inaccuracies in FE, Inaccuracies in FC
notation: Slurs
