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Issues : Errors of FC
b. 4-5
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composition: Op. 28 No. 15, Prelude in D♭ major
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The continuous phrase mark of FC (→GE) is a mistake of the copyist – the phrase marks in A are clearly separated, and their shape does not indicate that they should be combined. In FE b. 4 ends a line, while the phrase mark in b. 4 suggests that it should be continued, which, generally, is not confirmed by the phrase mark in b. 5 (cf. the beginning of the next line in FE). Considered as a whole, however, the notation of FE may be misleading, which explains the presence of a continuous phrase mark in EE. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors of FC |
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b. 12
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of A (→FE,FC→GE1), without a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Errors of FC , Errors repeated in FE |
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b. 12
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composition: Op. 28 No. 15, Prelude in D♭ major
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The continuous phrase mark of FC (→GE) resulted from an erroneous interpretation of A. Due to reduced ink flow, the endings of phrase marks in A are often very poorly visible, which could have misled the copyist – not seeing them, he assumed that the visible fragments of the phrase marks were supposed to form one phrase mark. category imprint: Differences between sources issues: Errors of FC |
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b. 15-16
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composition: Op. 28 No. 15, Prelude in D♭ major
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The phrase marks in A are definitely separated after the 1st note in b. 16, as it was 4 bars before. However, the notation may be misleading – the final part of the phrase mark, over b. 15, is very poorly visible (due to low ink levels), while the new phrase mark in b. 16 starts very flat. Consequently, the correct interpretation of notation requires a careful analysis thereof, and Fontana, who was in haste, could have misjudged the moment the phrase marks were divided. category imprint: Differences between sources issues: Inaccurate slurs in A , Errors of FC |
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b. 17
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composition: Op. 28 No. 15, Prelude in D♭ major
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The 7th quaver in A (→FE→EE1) is a single f1 note. The e category imprint: Differences between sources issues: EE revisions , Errors of FC |