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Issues : FE revisions
b. 36-38
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composition: Op. 28 No. 15, Prelude in D♭ major
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In FE1 the crotchets in the middle R.H. voice are placed between subsequent quavers in the top voice, closer to the previous than to the next one, with which they are to be played. It can result in doubts as to the synchronization of both voices:
In FE2 the R.H. crotchets were moved so that they clearly combine with the following, uneven quavers. We do not reproduce this difference in our transcriptions (it does not influence the sound if read carefully). category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information issues: Inaccuracies in FE , FE revisions |
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b. 57-59
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composition: Op. 28 No. 15, Prelude in D♭ major
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The phrase mark written in A under b. 48-58 reaches more or less the middle of the last bar (those bars are only signalized and do not contain notes). Having taken into account the contents of that bar, we get a phrase mark reaching the D category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A , FE revisions |
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b. 70
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of A (→FC→GE1) may seem erroneous:
However, each of the above arguments can be countered:
Therefore, to the main text we adopt the version with very distinct d category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , GE revisions , FE revisions |
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b. 81-83
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composition: Op. 28 No. 15, Prelude in D♭ major
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The release of the pedal indicated at the beginning of b. 81 was not marked in A. It could have been intended by Chopin, since wherever a gradual pedal release sounds good, Chopin would often forgo the category imprint: Differences between sources issues: FE revisions , No pedal release mark |