FE1
Main text
A - Autograph
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz Copy
FES - Stirling copy
FESch - Scherbatoff copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE1a - Corrected impression of EE1
EE2 - Revised impression of EE1a
compare
  b. 36-38

In FE1 the crotchets in the middle R.H. voice are placed between subsequent quavers in the top voice, closer to the previous than to the next one, with which they are to be played. It can result in doubts as to the synchronization of both voices:

  • the R.H. crotchets are placed clearly before the respective L.H. crotchets,
  • the minims in b. 40-42 (placed in a similar manner) are to be played simultaneously with the preceding quaver, hence differently.

In FE2 the R.H. crotchets were moved so that they clearly combine with the following, uneven quavers. We do not reproduce this difference in our transcriptions (it does not influence the sound if read carefully).
The same applies to b. 52-54.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information

issues: Inaccuracies in FE, FE revisions

notation: Rhythm

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